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"Everyone just chucked stuff in the game as fast as they could and somehow we made it all work," he says. Increasingly upset at the situation at the studio, Boyd took a three month sabbatical to travel around Mongolia, Tibet, India and Thailand. When he returned to Derby, he found Core - and ShellShock 2, in a depressing state. "Right, the numbers are down, the market's on its arse, Tomb Raider is coming out - we're just going to put another couple hundred thousand on the Tomb Raider number," Heath-Smith remembers of the conversation. "That will cover it. Suddenly Tomb Raider's got to sell six and a half million copies out of the shoot rather than the original three million it started at." Jeremy Heath-Smith says the Eidos "monster" was being "fundamentally supported" by Tomb Raider, despite the other games in the portfolio.
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Rummery joined the team and took his place inside the Tomb Raider room. Toby Gard got together with programmer Paul Douglas to begin work inside one of the ground floor rooms of the Core house. Enthused, Heath-Smith gave Gard the greenlight to begin work on Tomb Raider - but only after his work on BC Racers came to an end. During the company-wide meeting, Heath-Smith declared the PlayStation "the future".
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It is an uplifting story of how a British company changed the video game world. It is a story of a certain time and place, unlikely to ever be repeated. And it is a story of 90s game development crunch and corporate greed that ended in inevitable disaster.
Core Design's Tomb Raider: 10th Anniversary Edition is Here
Heath-Smith remembers a meeting in America with Eidos executives who continued to ramp up sales expectations for the Tomb Raider games even when enthusiasm for the series had faltered - just to keep the City happy. The hope was that Core would be "leaner and meaner" in a post Lara Croft world. "They asked, has anyone got any new ideas for games?" Rummery remembers. As work on The Last Revelation ended, work on next Christmas' game, Chronicles, began.
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We talk to those who stayed and got rich off of Lara Croft's late 90s success. We talk to those who butchered themselves as they worked day and night to hit crushing deadlines enforced by a publisher obsessed with its share price. And we talk to those who watched in horror as the kingdom Core had built came crashing down after one terrible flop. 20 years later, this is the inside story of how Lara Croft lived - and died - in Derby. The house that built Tomb Raider sat on top of the world in 1998. Croft quickly became an icon not just of the burgeoning, maturing games industry, but also of popular culture.
She was on the covers of magazines such as Newsweek, Rolling Stone, and Time. And she later found her way onto the silver screen, portrayed by Angelina Jolie in two blockbuster films. Jeremy Heath-Smith says the first royalty cheque the Tomb Raider development team received was around £30,000 each, which came after the game had come out and sold incredibly well.
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"But then I virtually lived at work anyway, so it was no big deal. It was having to deal with the pressure of working on the game and sorting a divorce out. That's life. You have your life planned out and it can just come to a halt." Core delivered Tomb Raider 2 for Eidos on time, and it was another smash hit. But the exhausted team of developers were left broken. The developers say Tomb Raider 2 was a constant crunch even more brutal than what had preceded it, despite the fact the process of development was smoother because the groundwork had been laid with the first game. With a deadline set in stone and player expectations through the roof, the handful of staff nearly killed themselves to get it out the door.
Jeremy Heath-Smith, a businessman at heart, left the Tomb Raider development team to get on with it, and the team credit him with keeping publisher Eidos at bay as they worked on the game. There were loose guidelines, the developers say, but no design document the team stuck to. Sometimes there were heated discussion (such as one to determine where Lara's health bar would appear on-screen), but the team of six gelled. And as Neal Boyd says, "it all just seemed to slot into place". Here, we talk to those who were there when Tomb Raider was little more than a room filled with blocks. We talk to those who watched Lara Croft creator Toby Gard walk out on Core Design after just one game, leaving hundreds of thousands of pounds in royalties behind.
"But politically it made more sense for them to build it. Their trump card was, hey, we can do 10th anniversary across Xbox 360 and things like that, which we couldn't do at all because we didn't have that kind of capability. Rummery found SCi more receptive to the idea of a 10th Anniversary Tomb Raider, and got the go-ahead. "So off we went and started really going for it. The guys on it were really into it. It was meant to be a celebration for the original Tomb Raider. We were really going for it with the graphics." Those who'd worked on Tomb Raider at Core were sad that Lara Croft had been taken away from them, but there was a surprising sense of relief. Most had grown sick and tired of Tomb Raider, anyway. "We had to take the decision, even though it was a horrendous decision at the time," Ian Livingstone remembers.
Toby Gard is described by those who worked with him as an enigmatic genius. They describe the animator as a quiet, intense character who would work late into the night on perfecting the way Lara Croft moved in Tomb Raider. They describe someone who cared deeply about his job and obsessed about the game he had created, fussing over everything from the way she was portrayed in the press to the clothes she wore in adverts plastered on the side of buses. Looking back at Lara Croft's first incarnation now, it's easy to sneer at her hyper-sexualised design.
Heath-Smith insisted Gard was walking away from being set up for life, "but he wouldn't have it". Heath-Smith called for ideas for 3D games that would sit well on the PS1, and Toby Gard piped up with his idea for a third-person game in which the player would raid mysterious tombs deep under pyramids. 3D gaming was established on PC at the time with the likes of Doom, but these games were first-person. Toby Gard's game would let the player see the character running about. CORE Design Group is an industry leader providing full-service architectural design for residential, commercial and industrial buildings.
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